In “Read Naturally”, Marcia R. Davidson addresses
the issues regarding reading fluency and makes the connection between reading and comprehension by introducing Reading First, which is a
component of the No Child Left Behind Act. Davidson predominantly discusses Read Naturally, a
program to promote student learning through listening, writing, and repetition
(Davidson 5). She writes about reading
fluency, what exactly fluency is, and the ways in which the Read Naturally
program helps struggling students become fluent readers. The piece is organized
by clear and concise headlines and the content is very straightforward. Davidson
uses this straightforward language to construct her audience as individuals who
are unfamiliar with the Read Naturally program and may be interested in
implementing it.
Davidson’s piece, “Read Naturally,” can be
justified as a citizen's
explanatory genre. It is important to categorize and justify this paper as such
in order to better our understanding of the author’s specific goals and
intentions and to round out our understanding of the paper’s actual
content. In order to support this argument I will draw on ideas presented by
Jeanne Fahnestock in her article “Accommodating
Science: The Rhetorical Life of Scientific Facts” and explore
concepts found in Killingworth and Palmer’s Ecospeak, Chapter 4, “Transformations
of Scientific Discourse in the News Media”.
In “Accommodating Science,” Jeanne Fahnestock states that scientific papers are “to some extent epideictic and deliberative; they cannot ignore creating a reason for their reporting” (Fahnestock 278). In “Read Naturally”, Marcia R. Davidson clearly reports the influences of the Read Naturally program and provides the audience with a comprehensive understanding of the program’s effects. It can therefore be argued that one of the main purposes of Davidson’s piece is to explain the situation. That notion can be taken a step further, however, by using Fahnestock’s descriptions to analyze the deliberative and epideictic elements embedded within the piece. Such an analysis supports the piece’s classification as a citizen’s explanatory genre because it not only recognizes the piece as explanatory, but also acknowledges the piece’s appeal to the public through its discussion and debate of the situation and its implications on future action.
Both Fahnestock and Killingsworth and Palmer assert that popularized scientific writing almost always
incorporates issues relating to human interest (Fahnestock 279; Killingsworth, Palmer 134). Davidson’s
piece exemplifies that theory since it uses scientific data and
explanatory language while simultaneously appealing to readers’ interests
through anecdotal commentary. For example, Davidson introduces her argument
with, “Many of us remember oral reading
from our experiences with such practices as round robin—not pleasant memories
for most of us! But reading out loud is an important indicator for reading
proficiency even if the round robin reading technique—inspiring boredom in good
readers and terror in struggling readers—is not an effective mechanism for
improving fluency.” (Davidson 1) This method is employed
throughout the paper and works to reflect the
notion of a citizen’s genre by appealing to an average reader and explaining
scientific research in plain language.
Fahnestock also discusses
the importance of value in popular
science writing by claiming that scientific writing must have societal implications
in order to be popularized. Davidson’s paper addresses value almost
exclusively. Her paper describes the practical application of scientific
findings and how that application becomes valuable, especially to
those who cannot read as fluently as they would like. By taking value into account, Davidson’s readers
develop a very strong sense of the piece’s purpose. This is a clear example of
how applying Fahnestock’s concepts to Davidson’s paper supports the genre
classification, which furthers our understanding of authorial intention.
In their book, Ecospeak, Killingsworth and Palmer claim
that scientific research articles aimed at the general public (read: articles
that fall under a citizen’s explanatory genre) have an “action agenda” (Killingsworth, Palmer 158). In
other words, a scientific study is usually presented to the public in order to
change the audience’s actions in some way. This is certainly the case in “Read
Naturally,” since Davidson informs the audience of the issue and the tenants of
the Read Naturally program, and subsequently calls on the audience to utilize
the program, or at least to accept its legitimacy. Davidson’s blatant attempt
to influence her audience’s future actions serves as a straightforward example
of Killingsworth and Palmer’s description, and thus functions as further proof for
the genre classification. This is important because it shapes readers’
comprehension of the paper’s content, which promotes readers’ perception of
authorial intention, which ultimately persuades readers to respond to
Davidson’s desired call to action.
Similarly to how I am expounding on concepts found in Fahnestock’s and Killingsworth and Palmer’s works in order to argue my point, Davidson integrates ideas from outside sources into her white paper in order to created mediated discourse. For example, to promote her claim that children who struggle with reading skills give up quickly, Davidson integrates research by Stanovich who describes a phenomenon termed the “Matthew Effects,” after the biblical story where “the rich get richer and the poor get poorer” (Davidson 4). This is an example of how “Read Naturally” works as mediated discourse by bringing together concepts and ideas from different sources and texts to form its central argument.
“Read
Naturally” acts as explanatory through Davison’s deliberate use of rhetorical strategies, hard facts, and experimental
data in convincing readers of the program’s success. Because this analysis is
constrained by length, it merely scratches the surface of a complex argument
exploring how the categorization, mediation, and organization of a text can
influence the text’s interpretation and effect. Justification for “Read
Naturally” as an explanatory genre can be seen through the exploration of
concepts in pieces by Fahnestock and Killingsworth and Palmer and, as a result,
it furthers our understanding of the piece’s content, intentions, and implications,
both as an individual text and as an element of mediated discourse.
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